ahuiliztli (Mdz48r)
This standing man has been carved from a compound glyph, Ahuilizapan, which originally included a water channel (apantli). We see only the upper half of his body, as the other half was originally under the water. We see no clothing, but we cannot be sure that he was totally nude. His face is in profile, looking to our right and slightly upward. His haircut is that of a male. His arms are raised.
Stephanie Wood
The slightly lifted head and raised arms appear to be a sign of rejoicing or pleasure. A comparison of this pose to the pose of the ball player on folio 70 recto seems worthwhile. The ball player may have his hands raised because he is hitting the ball with his hip, but there may be some additional joy expressed in this position.
Stephanie Wood
c. 1541, but by 1553 at the latest
Stephanie Wood
emotions, pleasure, joy, men
ahuiliz(tli), pleasure or joy, https://nahuatl.wired-humanities.org/content/ahuiliztli
pleasure, joy
Mexico City
el placer, la alegría
Stephanie Wood
Codex Mendoza, folio 48 recto, https://digital.bodleian.ox.ac.uk/objects/2fea788e-2aa2-4f08-b6d9-648c00..., image 106 of 188.
The Bodleian Libraries, University of Oxford, hold the original manuscript, the MS. Arch. Selden. A. 1. This image is published here under the UK Creative Commons, “Attribution-NonCommercial-ShareAlike 3.0 License” (CC-BY-NC-SA 3.0).