Ozoma (MH485v)

The glyph for monkey (ozomatli, apocopated here for the personal name) very typically shows the hair (tzontli) on the top of its head standing up or leaning forward, and sometimes the hair is long and thick, and so very noticeable. Perhaps this portrayal of hair is meant to serve as a phonetic complement for the "zom" in the middle of the root ozoma, given that "tzon-" stands for hair.

The ozomatli is a day sign in the religious divinatory 260-day calendar, the tonalpohualli, so it was given as a name to babies born on its day. Because of colonial edicts to stop using the tonalpohualli as a source for names, one thing that happened is that the companion number was dropped, as is the case here, perhaps as a stopgap measure. number that usually accompanied a day name, which would reduce the sacred nature of the name. See Norma Angélica Castilla Palma, "Las huellas del oficio y lo sagrado en los nombres nahuas de familias y barrios de Cholula," Dimensión Antropológica v. 65 (sept.-dic. 2015), 186.

There was also a divine force or deity named Ozomatli, which, according to Desmond Morris (Monkey, 2013, 41), was "the companion spirit and servant of the god Xochipilli, the deity of music and dance. In paintings it is depicted dressed in malinalli herbs and with white, oval earrings with pointed ends."

This name glyph is attested male, as the man in question has the baptismal name of Pedro. It is not clear if the monkey is meant to have protruding teeth.