doña (Osu21r)
This painted example of iconography refers to an elite Nahua woman with the title doña, a loanword that entered Nahuatl from Spanish. The full name given is doña Ana. She is painted with long dark hair and a pink flesh tone on her face and neck. The long hair suggests youth, as she is not wearing the neaxtlahualli hair style of adult women. The view of her is almost a frontal view, but she looks and turns slightly to the viewer’s right. She is apparently being assigned to the viceroy don Luis de Velasco as a servant, even though the text mentions all the other workers assigned to him but leaves her out. The contextualizing image shows her next to a tied bundle of fodder and red dots representing four loads’ worth. Perhaps it would be her job to gather the grasses to feed the viceroy’s horses.
Stephanie Wood
In the hieroglyphs, a frontal view of a female face can be found in association with divinity (e.g., Cihuateotl) or the nenetl doll-like figurines of possibly divine forces. Perhaps a youthful age also allowed for representation by way of a frontal view, considering how the boys of the Telpo glyph and the Tlamaca glyph are also facing the viewer.
Stephanie Wood
doña ana
doña Ana
Stephanie Wood
1551–1565
Jeff Haskett-Wood
doñas, mujeres nobles, sirvienta, sirvientas, jóven, jóvenes, título de nobleza, títulos de nobleza
doña, a title of social status for women, a loanword from Spanish, https://nahuatl.wired-humanities.org/content/doña
doña
Stephanie Wood
Library of Congress Online Catalog and the World Digital Library, Osuna Codex, or Painting of the Governor, Mayors, and Rulers of Mexico, https://www.loc.gov/resource/gdcwdl.wdl_07324/. The original is located in the Biblioteca Nacional de España.
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