tilmatli (TK223r)

tilmatli (TK223r)
Iconography

Glyph or Iconographic Image Description: 

This painted example of iconography shows a group of blankets or cape (what we surmise to be tilmatli) in various designs and colors, all made out of feathers. These were cloths produced in Tepetlaoztoc and paid as tribute to a Spanish encomendero (a man who held a grant giving him the right to collect tribute in kind and in labor). He received these items as he was about to return to Spain. This sample of six textiles includes (top row, left to right): first, two concentric rectangles in green on a red background. Then comes a necklace made from a cross-section of a conch shell with an internal swirl, and a green tie on a red and gold background. Top right is a rectangle divided in half on the diagonal, with one half reddish brown and the other fully brown, plus a gold frame. In the lower row, from left to right, there is another rectangle divided in half on the diagonal, colored red and pink, and having a checkered border of green, red, and gold. Next is a brown rectangle with a green border, and finally, a golden swirl with an orange background, two possibly green leaves, and a red border. The contextualizing image shows a few more varieties, including a black and white checkerboard (upper right) and stripes in green alternating with multicolored stripes with diagonal patterns in red, gold, and green (in the lower right corner).

Description, Credit: 

Stephanie Wood

Added Analysis: 

The rectangles divided on the diagonal are reminiscent of some land parcels that appear in the Matrícula de Huexotzinco (below), but it is unclear if that shared design is intentional. The shell necklace is already a part of this digital collection. Swirls are very popular motifs in Nahua art, such as those seen in water, wind, and so on. Artistic “paintings” made from feathers are also well known in some museum collections, although this digital collection has mainly war shields made from feathers.

Added Analysis, Credit: 

Stephanie Wood

Gloss or Text Image: 
Gloss/Text Diplomatic Transcription: 

las mantas de pluma

Gloss/Text Analysis, Credit: 

Stephanie Wood

Date of Manuscript: 

c. 1556

Creator's Location (and place coverage): 

Tepetlaoztoc, East of Lake Tetzcoco

Syntax: 
Cultural Content, Credit: 

Jeff Haskett-Wood

Keywords: 

telas, capas, tributo, tributos, resistencia, colonialismo, encomenderos

Glyph or Iconographic Image: 
Relevant Nahuatl Dictionary Word(s): 

tilma(tli), blanket (in this case), https://nahuatl.wired-humanities.org/content/tilmatli

Glyph/Icon Name, Spanish Translation: 

la manta

Spanish Translation, Credit: 

Stephanie Wood

Image Source: 

The Codex Kingsborough, also known as the Códice de Tepetlaoztoc, and the Memorial de los indios de Tepetlaoztoc, is not on display. It was transferred from the British Library and is now held by the British Museum. It is shared on line at: https://www.britishmuseum.org/collection/object/E_Am2006-Drg-13964

Image Source, Rights: 

©The Trustees of the British Museum. Shared under a Creative Commons Attribution-Non-Commercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. Please also cite the <em>Visual Lexicon of Aztec Hieroglyphsem>, ed. Stephanie Wood (Eugene, Ore.: Wired Humanities Projects, 2020-present) and this URL.

Historical Contextualizing Image: