Matlalaca (MH831v)
This black-line drawing of the compound glyph for the personal name Matlalaca (perhaps “Blue-Green Reeds”) is attested here as a man’s name. The glyph shows an elaborately designed flower in a frontal view. It has four large, rounded petals, a large central circle, and four tiny circles, one each between each of the larger petals. The petals also have a two-tone coloring effect, where half is dark and half is light, but developing a swirl much like the ilhuitl signs on the Codex Mendoza, f. 19r, and other codices represented in this collection. At the heart of the flower are short lines radiating out from the central circle, much like tonalli (sun, day, heat of the sun) in some other glyphs. Finally, this compound also shows a group of three segmented canes protruding from the upper right side of the flower. They are reminiscent of the type of cane that is called carrizo in Mexico today.
Stephanie Wood
An article, "Colorantes Naturales," in México Desconocido, states that the color texotli was made from mixing clay with the intense turquoise blue that comes from a flower called Matlalxochitl. The pin-wheel design for this flower–as it is extracted here from the Matrícula de Huexotzinco–does raise the question of a link between the matlalin and the measurement of time (days) and/or movement.
Stephanie Wood
greo matlalaca
Gregorio Matlalaca
Stephanie Wood
1560
Jeff Haskett-Wood
matlali(in), a blue-green flower, https://nahuatl.wired-humanities.org/content/matlalin-0
aca(tl), reeds or canes, https://nahuatl.wired-humanities.org/content/acatl
Flor de Azul-Verde
Stephanie Wood
Matrícula de Huexotzinco, folio 831v, World Digital Library, https://www.loc.gov/resource/gdcwdl.wdl_15282/?sp=737&st=image.
This manuscript is hosted by the Library of Congress and the World Digital Library; used here with the Creative Commons, “Attribution-NonCommercial-ShareAlike 3.0 License” (CC-BY-NC-SAq 3.0).