Mexicamani (MH871r)
This black-line drawing of the simplex glyph for the personal name or ethnicity Mexicamani (perhaps “Like the Mexica”) is attested here as a man’s name. The glyph shows the head of a man in profile, facing toward the viewer’s right. Someone’s (right) hand is pulling the hair of this person. His visible cheek is painted or tattooed with one vertical and two horizontal intersecting lines.
Stephanie Wood
In this digital collection, face paint or tattooing has ethnic associations, involving Chichimecs, the Otomí, the Tlaxcalteca, and those who were “different” (e.g. the Tlamaca or Tlamanca). Divine forces, such as Ecatl (or Ehecatl) and Xolotl, also have some face paint or tattoos. Our Advanced Search options include face paint as a cultural content item.
Hair pulling suggests conflict and loathing, and perhaps the warrior culture of the Mexica. A very similar glyph is used for the name (“Like the Otomí). To pull or cut someone's hair in Nahua culture was a grave insult and cause of intense emotion. Sonya Lipsett-Rivera writes about the ritual humiliation of hair pulling in Religion in New Spain, eds. Susan Schroeder and Stafford Poole (2007), 79. Hair pulling was also linked to the treatment of captives in war and enslaved people who were to be executed.
Stephanie Wood
po. mexica mani
Pedro Mexicamani
Stephanie Wood
1560
Jeff Haskett-Wood
etnicidad, tirar el pelo, jalar el cabello, pintura facial, tatuajes, nombres de hombres

Mexica, the people of Mexico City, https://nahuatl.wired-humanities.org/content/mexica
-mani, in the manner of, https://nahuatl.wired-humanities.org/content/mani-1
A la Manera de los Mexicas
Stephanie Wood
Matrícula de Huexotzinco, folio 871r, World Digital Library, https://www.loc.gov/resource/gdcwdl.wdl_15282/?sp=814&st=image
This manuscript is hosted by the Library of Congress and the World Digital Library; used here with the Creative Commons, “Attribution-NonCommercial-ShareAlike 3.0 License” (CC-BY-NC-SAq 3.0).
