Tonalli Imoquetzayan (Mdz12r)
This compound glyph for the place name Tonalli Imoquetzayan (Sun's Usual Rising Place) includes two notable visual elements. At the bottom appear four white circles with red dots in the middle, meant to represent a day (tonalli). Above that is a bare human leg and foot, shown in profile, facing to the viewer's left. It is painted a terracotta-orange color. The leg is meant to refer to standing or being set up (moquetza).
Stephanie Wood
With the added -yan locative and the possessive i- (both attested in the gloss), the verb (moquetza) converts into the setting up place of the day (imoquetzayan). The locative suffix -yan is one that attaches to verbs and indicates customary action. [Frances Karttunen, "Critique of glyph catalogue in Berdan and Anawalt edition of Codex Mendoza," unpublished manuscript.] So, the place name may refer to the site where the sun customarily rises up.
Stephanie Wood
tonali ymoqueçayan.puo
Tonali Imoquetzayan, pueblo
Stephanie Wood
c. 1541, or by 1553 at the latest
Stephanie Wood
soles, días, piernas, amanecer
This presumed tonalli glyph appears on the leg of a polychrome, tripod pot from Cholula, on display at the Peabody Museum, Harvard. Photo by Stephanie Wood, May 2023.
tonal(li), day, sun, https://nahuatl.wired-humanities.org/content/tonalli
moquetza, to stand or get up from a sitting position, https://nahuatl.wired-humanities.org/content/moquetza
-yan (locative), habitual place of a certain action, https://nahuatl.wired-humanities.org/content/yan
El Lugar del Amanecer
Stephanie Wood
Codex Mendoza, folio 12 recto, https://digital.bodleian.ox.ac.uk/objects/2fea788e-2aa2-4f08-b6d9-648c00..., image 34 of 188.
The Bodleian Libraries, University of Oxford, hold the original manuscript, the MS. Arch. Selden. A. 1. This image is published here under the UK Creative Commons, “Attribution-NonCommercial-ShareAlike 3.0 License” (CC-BY-NC-SA 3.0).